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Once you get past the familiar strains of Blondie’s “Call Me” over the opening credits, the message from “American Gigolo” isn’t worth answering. It is, rather, a misguided and distasteful reboot, seeking to tease the movie’s premise into a larger mystery. Jon Bernthal struts his stuff as the escort trying to get his laugh back, but this ’80s artifact should have been left in the time capsule.
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